//------------------------------------------------------------------------------
曲名{"気怠そうな女"}
作者{"つかさ"}

//昔のパソコンのなかに入ってて懐かしかったので投稿します。
//たしか３年くらい前に作りました。
//「なんかキモい」と不評で歌詞を作る人が居なくてお蔵入りしていた曲ですw
//あまり凝ったことはしてないですが、雰囲気は出てると思います。

//------------------------------------------------------------------------------
//_初期設定
//------------------------------------------------------------------------------
// テキスト音楽「サクラ」音楽データ (dSakura.dll Version.2.31e)
//------------------------------------------------------------------------------
TimeBase      = 96     // 四分音符分解能
Tempo         = 276  // テンポの設定(20〜240を推奨)
TimeSignature = 4,4    // 拍子の設定→2,4は2/4拍子を表す
KeyFlag#(fcg)             // 調号の設定→例）調＃(ドファ)

System.MeasureShift(1) // 小節数のシフト設定
ResetGM();             // GM音源用リセット
Time(1:1:0); TrackSync;// トラックの同期

//------------------------------------------------------------------------------
//_Track1_Piano
Str A = {y64(127)}
Str B = {y64(0)}
Str C = {p%(0)}


r1
//------------------------------------------------------------------------------イントロ
Track(1) Channel(1) Time(1:1:0)
@5 P(24)l4 q90 V(127) v55 o5　REV(30) EP(127)
[rr'gb`d`f'^^'gb`d`f' rr'fa`c`e'^^'fa`c`e' rr'fab`d'^^'fab`d' rr'fab`d'^^'fab`d']

Track(2) Channel(2) Time(1:1:0)
@5 P(104)l4 q70 V(127) v65 o6　REV(30) EP(127)
rr'b`e`a' 'b`e`g'^'b`e`a' >rr'cfb''cfa'^'"acf'< rr'b>df<' 'b>df<'^'b>e<'rr'b>df<' rr'b>e<'
rr'b`e`a' 'b`e`g'^'b`e`a' >rr'cfb''cfa'^'"acf'< rr'b>df<' 'b>df<'^'b>e<'rr'b>df<' rr'b>fa<'

Track(3) Channel(3) Time(1:1:0)
@74 P(64)l4 q99 V(127) v60 o6　REV(30) EP(127)
[rrr rrr rrr rrr rrr rrr rrr rrr]
Track(4) Channel(4) Time(1:1:0)REV(30) EP(127)
@33 P(64)l4 q95 V(127) v95 o2
[`errerr `frrfrr brrbrr `brrbrr]

Track(5) Channel(5) Time(1:1:0)
@51 P(64)l4 q99 V(127) v30 o5　REV(30) EP(127)
S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ ^^^}S{e^^ ^^^ c^^ ^^^ d^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^
S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ ^^^}S{e^^ ^^^ c^^ ^^^ d^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^

Track(10) Channel(10)
l4q95 V(127) v55 @(AnalogSet) EP(127)

$y{n(MuteTriangle),}
Rythm{
[4yry rrr yrr rrr]
}

Track(11) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$u{n(OpenTriangle),}
Rythm{
[4rrr urr rrr urr]
}
Track(12) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$i{n(LowTom1),}
Rythm{
[4irr rrr rrr rrr]
}
Track(13) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$p{n(HighTom2),}
Rythm{
[4rrr rrr prr rrr]
}
Track(14) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$t{n(ChineseCymbal),}
Rythm{
[2trr rrr rrr rrr rrr rrr rrr rrr]

}
Track(15) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$d{n(LongGuiro),}$s{n(ShortGuiro),}
Rythm{
[2srd srd ^^s srs d^^ srs d^s dss]
}
//------------------------------------------------------------------------------A

Track(1) Channel(1)
@5 l4 q90 V(127) v55 o5　REV(30)

rr'gb`d`f'^^'gb`d`f' rr'fa`c`e'^^'fa`c`e' rr'fa#b`d#'^^'fa#b`d#' rr'fa#b`d#'^^'fa#b`d#'
rr'e#gb`d#'^^'e#gb`d#'rr'd#fa#`c'^^'`c`d#`f`a#''`b#`d#`f'^^'b`d`f-'^^'a#`c`e#'^^'a`c-`e'^^

'gb`d`f'r'gb`d`f'^^'gb`d`f' rr'fa`c`e'^^'fa`c`e' rr'fab`d#'^^'fab`d#' rr'fab`d#'^^'fab`d#'
rr'e#gb`d#'^^'e#gb`d#' ^^'e#gb`d#'^^'e#gb`d#' rr'd#fa#`c'^^'d#fa#`c' 'd#fa#b#'rr rrr
Track(2) Channel(2)
@5 l4 q99 V(127) v65 o6　REV(30)
[rr'b`e`a' 'b`e`g'^'b`e`a' >rr'cfb''cfa'^'"acf'< rr'b>d#f<' 'b>d#f<'^'b>e#<'rr'b>d#f<' rr'b>e#<'
:
rr'g`c`e#' 'g`d#'^'g`c`e#' rr'a#`c`e#''a#`d#'^'a#`c`e#' >'"a#d#''"a#d#''"gc''"ad''"ad''"g-c-''"gc''"gc''"f"b''"g-c-''"g-c-''"g-c-'<]
rr'g`c`e#' 'g`d#'^'g`c`e#'rr'g`c`e#' 'g`d#'^'g`c`e#' rr'a#`c`e#''a#`d#'^'a#`c`e#' 'gb#`d#'rr rrr
Track(3) Channel(3)
@74 l4 q99 V(127) v107 o6　REV(30)
rrb ^^b ^^a ^^f rrg f^^ ^^^ rrr
rrg ^^g ^^f ^^a#> d#^cd^c-c^"bc-^r<
b^^ ^^b ^^a ^^f rrg f^^ ^^^ rrr
rrg ^^g ^^f ^^e# rrd# ^^c "b#rc d#^g
Track(4) Channel(4)REV(30)
@33 l4 q95 V(127) v95 o2

[`errerr `frrfrr brrbrr `brrbrr
:
`crr`crr `d#rr`d#rr >g^gg-^g- f^ff-^f-<]
`crr`crr ``crr`crr`d#rr`d#^^grr rrr//g^^g^^

Track(5) Channel(5)
P(64)l4 q99 V(127) o5　REV(30) EP(127)

S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ "a#^^}S{e^^ ^^^ c^^ ^^^ d#^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^
S{"g^^ ^^^ "a#^^ ^^d#d#^^d^^c^^c-^^}S{c^^ ^^^d#^^ ^^ff^^f-^^e#^^e^^}e#^^ ^^^f^^ ^^`c b#^^ b^^ a#^^a^^
S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ "a#^^}S{e^^ ^^^ c^^ ^^^ d#^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^
S{"g^^ ^^^ ^^^ ^^^ "a#^^ ^^^ "b#rr rrr}S{c^^ ^^^ ^^^ ^^^ d#^^ ^^^ d#rr rrr}e#^^ ^^^ ^^^ ^^^ f^^ ^^^ frr rrr
Track(10) Channel(10)
l4q95 V(127) v55 @(AnalogSet) EP(127)

$y{n(MuteTriangle),}
Rythm{
[3yry rrr yrr rrr]
yry yry yry rry
[3yry rrr yrr rrr]
yry rrr yrr rrr
}


Track(11) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$u{n(OpenTriangle),}
Rythm{
[3rrr urr rrr urr]
rrr rrr rrr urr
[3rrr urr rrr urr]
rrr urr rrr rrr
}
Track(12) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$i{n(LowTom1),}
Rythm{
[7irr rrr rrr rrr]
irr rrr irr rrr
}

Track(13) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$p{n(HighTom2),}
Rythm{
[7rrr rrr prr rrr]
rrr rrr rrr rrr
}
Track(14) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$t{n(ChineseCymbal),}
Rythm{
[4trr rrr rrr rrr rrr rrr rrr rrr]
}
Track(15) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$d{n(LongGuiro),}$s{n(ShortGuiro),}
Rythm{
srd srd ^^s d^s srd srd ^^s dss
srd srd ^^s d^s srd srd ^^s sss 
srd srd ^^s d^s srd srd ^^s dss
srd srd ^^s d^s srr rrr rrr rrr
}
//------------------------------------------------------------------------------B

Track(1) Channel(1)
@5 l4 q90 V(127) v55 o5　REV(30)
[
'ega#`c'^^ ^^'ega#`c' rr'ega#`c' rr'ega#`c' 'ef#a#`c'^^ ^^'ef#a#`c' rr'ef#a#`c' rr'ef#a#`c'
:
'dfgb'^^ ^^'dfgb' rr'dfgb' rr'dfgb' 'de#gb'^^ ^^'de#gb' 'd-eg-b-'^^ 'c-d#fa'^'d#fa`c-']
'dfgb'^^ ^^'dfgb' rr'dfgb' rr'dfgb' 'de#gb'^^ ^^'de#gb' 'df-a-b'^'f-a-b`d' 'fab#`d#'^'ab#`d#`f'

Track(2) Channel(2)
@5 l4 q70 V(127) v65 o6　REV(30)

[S{'a#`c'^^}`e^`f 'a#`c`e'^^ 'a#`c`e'^^ ^^'a#`c`e' S{'a#`c'^^^}`e^`f# `gr'a#`c`f#' ^^'a#`c`f#' ^^'a#`c`f#'
:
rr'gb`d' ^^'gb`e#' 'gb`d'^^ ^^'gb`d' 'gb`e#'^'gb`f' 'gb`e#'^^ rr'g-b-`e' rr'fa`d#']
rr'gb`d' ^^'gb`e' 'gb`d'^^ ^^'gb`d' rr'gb`e#' ^^'b`e#`g' rr'b`f-`a-' rr'b#`f`a'
Track(3) Channel(3)
@74 l4 q99 V(127) v107 o6　REV(30)
rr`c ^^^ ^^b a#^^ ^^^ ^^r f#^g a#^b
`cr`d ^^^ ^r`c b^^ ^ra grg g-^^ f^^
rr`c ^^^ ^^b a#^^ ^^^ ^^r f#^g a#^b
`cr`d gr`c ^^`d gr`c ^^`e# gr`c `d^^ rrr
Track(4) Channel(4)REV(30)
@33 l4 q95 V(127) v95 o2
[a#^^b^^`c^^`e^^ >d#^^c^^"b^^"a#^^<
:
g^^b^^`c^^ b^^ >c^^`c^^`c-^^b^<b]
g^^a#^^b^^a#^g >c^^c^^d^^d#^^<

Track(5) Channel(5)
P(64)l4 q99 V(127) o5　REV(30) EP(127)

S{<a#^^ ^^^ ^^^ ^^^ f#^^ ^^^ ^^^ ^^^>}S{c^^ ^^^ ^^^ ^^^ "a#^^ ^^^ ^^^ ^^^}e^^ ^^^ ^^^ ^^^c^^ ^^^ ^^^ ^^^
S{<g^^ ^^^ d^^ ^^^ e#^^ ^^^ e^g- a^^>}S{<b^^ ^^^ g^^ ^^^ ^^^ ^^^ g-^b- b^^>}d^^ ^^^ ^^^ ^^^c^^ "b^^ "b-^d d#^^
S{<a#^^ ^^^ ^^^ ^^^ f#^^ ^^^ ^^^ ^^^>}S{c^^ ^^^ ^^^ ^^^ "a#^^ ^^^ ^^^ ^^^}e^^ ^^^ ^^^ ^^^c^^ ^^^ ^^^ ^^^
S{<g^^ ^^^ d^^ ^^^ e#^^ g^^b^^b#^^>}S{<b^^ ^^^ g^^ ^^^ ^^^> c^^d^^ d#^^}d^^ ^^^ ^^^ ^^^c^^ e#^^ f-^^ f^^
Track(10) Channel(10)
l4q95 V(127) v55 @(AnalogSet) EP(127)

$y{n(MuteTriangle),}
Rythm{
[4yrr rry rry rry yrr yrr yrr yrr]
}

Track(11) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$u{n(OpenTriangle),}
Rythm{
[4rru rrr urr urr rru rru rru rru]
}
Track(12) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$i{n(LowTom1),}
Rythm{
[8irr rrr irr rrr]
}
Track(13) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$p{n(HighTom2),}
Rythm{
[8rrr rrr rrr rrp]
}
Track(14) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$t{n(ChineseCymbal),}
Rythm{
[4trr rrr rrr rrr rrr rrr rrr rrr]
}

Track(15) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$d{n(LongGuiro),}$s{n(ShortGuiro),}
Rythm{
[srd srd srd srd srd srd srd srs
srd srd srd srd srd srd srd ^ss]
}

//------------------------------------------------------------------------------間奏
Track(1) Channel(1)
@5 l4 q90 V(127) v55 o5　REV(30) EP(127)
[rr'gb`d`f'^^'gb`d`f' rr'fa`c`e'^^'fa`c`e' rr'fab`d'^^'fab`d' rr'fab`d'^^'fab`d']

Track(2) Channel(2) 
@5 l4 q70 V(127) v65 o6　REV(30) EP(127)
rr'b`e`a' 'b`e`g'^'b`e`a' >rr'cfb''cfa'^'"acf'< rr'b>df<' 'b>df<'^'b>e<'rr'b>df<' rr'b>e<'
rr'b`e`a' 'b`e`g'^'b`e`a' >rr'cfb''cfa'^'"acf'< rr'b>df<' 'b>df<'^'b>e<'rr'b>df<' rr'b>fa<'

Track(3) Channel(3) 
@74 l4 q99 V(127) v60 o6　REV(30) EP(127)
[rrr rrr rrr rrr rrr rrr rrr rrr]
Track(4) Channel(4) REV(30) EP(127)
@33 l4 q95 V(127) v95 o2
`errerr `frrfrr brrbrr `brrbrr
`errerr `frrfrr brrbrr `brrbrr

Track(5) Channel(5)
P(64)l4 q99 V(127) o5　REV(30) EP(127)
S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ ^^^}S{e^^ ^^^ c^^ ^^^ d^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^
S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ ^^^}S{e^^ ^^^ c^^ ^^^ d^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^



Track(10) Channel(10)
l4q95 V(127) v55 @(AnalogSet) EP(127)

$y{n(MuteTriangle),}
Rythm{
[4yry rrr yrr rrr]
}

Track(11) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$u{n(OpenTriangle),}
Rythm{
[4rrr urr rrr urr]
}

Track(12) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$i{n(LowTom1),}
Rythm{
[4irr rrr rrr rrr]
}
Track(13) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$p{n(HighTom2),}
Rythm{
[4rrr rrr prr rrr]
}
Track(14) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$t{n(ChineseCymbal),}
Rythm{
[2trr rrr rrr rrr rrr rrr rrr rrr]
}

Track(15) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$d{n(LongGuiro),}$s{n(ShortGuiro),}
Rythm{
[2srd srd ^^s srs d^^ srs d^s dss]

}


//------------------------------------------------------------------------------A2

Track(1) Channel(1)
@5 l4 q90 V(127) v55 o5　REV(30)

'gb`d`f'rr rrr rr'fa`c`e'^^'fa`c`e' rr'fa#b`d#'^^'fa#b`d#' rr'fa#b`d#'^^'fa#b`d#'
rr'e#gb`d#'^^'e#gb`d#'rr'd#fa#`c'^^'`c`d#`f`a#''`b#`d#`f'^^'b`d`f-'^^'a#`c`e#'^^'a`c-`e'^^

'gb`d`f'r'gb`d`f'^^'gb`d`f' rr'fa`c`e'^^'fa`c`e' rr'fab`d#'^^'fab`d#' rr'fab`d#'^^'fab`d#'
rr'e#gb`d#'^^'e#gb`d#' ^^'e#gb`d#'^^'e#gb`d#' rr'd#fa#`c'^^'d#fa#`c' 'd#fa#b#'rr rrr
Track(2) Channel(2)
@5 l4 q99 V(127) v65 o6　REV(30)
'b`e`g'rr rrr >rr'cfb''cfa'^'"acf'< rr'b>d#f<' 'b>d#f<'^'b>e#<'rr'b>d#f<' rr'b>e#<'
rr'g`c`e#' 'g`d#'^'g`c`e#' rr'a#`c`e#''a#`d#'^'a#`c`e#' >'"a#d#''"a#d#''"gc''"ad''"ad''"g-c-''"gc''"gc''"f"b''"g-c-''"g-c-''"g-c-'<
rr'b`e`a' 'b`e`g'^'b`e`a' >rr'cfb''cfa'^'"acf'< rr'b>d#f<' 'b>d#f<'^'b>e#<'rr'b>d#f<' rr'b>e#<'
rr'g`c`e#' 'g`d#'^'g`c`e#'rr'g`c`e#' 'g`d#'^'g`c`e#' rr'a#`c`e#''a#`d#'^'a#`c`e#' 'gb#`d#'rr rrr
Track(3) Channel(3)
@74 l4 q99 V(127) v107 o6　REV(30)
rrb ^^^ ^^a ^^f rrg f^^ ^^^ rrr
rrg ^^g ^^f ^^a#> d#^cd^c-c^"bc-^r<
b^^ ^^b ^^a ^^f rrg f^^ ^^^ rrr
rrg ^^g ^^f ^^e# rrd# ^^c "b#rc d#^g
Track(4) Channel(4)REV(30)
@33 l4 q95 V(127) v95 o2

`errrrr rr`f frr brrbrr `brrbrr
`crr`crr `d#rr`d#rr >g^gg-^g- f^ff-^f-<
`errerr `frr frr brrbrr `brrbrr
`crr`crr ``crr`crr`d#rr`d#^^grr rrr

Track(5) Channel(5)
P(64)l4 q99 V(127) o5　REV(30) EP(127)

S{"brr rrr rr"a ^^^ "b^^ ^^^ ^^^ "a#^^}S{err rrr rrc ^^^ d#^^ ^^^ ^^^ ^^^}grr rrr rrf ^^^ ^^^ ^^^ ^^^ ^^^
S{"g^^ ^^^ "a#^^ ^^d#d#^^d^^c^^c-^^}S{c^^ ^^^d#^^ ^^ff^^f-^^e#^^e^^}e#^^ ^^^f^^ ^^`c b#^^ b^^ a#^^a^^
S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ "a#^^}S{e^^ ^^^ c^^ ^^^ d#^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^
S{"g^^ ^^^ ^^^ ^^^ "a#^^ ^^^ "b#rr rrr}S{c^^ ^^^ ^^^ ^^^ d#^^ ^^^ d#rr rrr}e#^^ ^^^ ^^^ ^^^ f^^ ^^^ frr rrr


Track(10) Channel(10)
l4q95 V(127) v55 @(AnalogSet) EP(127)

$y{n(MuteTriangle),}
Rythm{
yrr rrr rry rrr
[yry rrr yrr rrr]
yry yry yry rry
[3yry rrr yrr rrr]
yry rrr yrr rrr
}


Track(11) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$u{n(OpenTriangle),}
Rythm{
rrr rrr rrr urr
[rrr urr rrr urr]
rrr rrr rrr urr
[3rrr urr rrr urr]
rrr urr rrr rrr
}
Track(12) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$i{n(LowTom1),}
Rythm{
[7irr rrr rrr rrr]
irr rrr irr rrr
}

Track(13) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$p{n(HighTom2),}
Rythm{
rrr rrr rrr rrr
[6rrr rrr prr rrr]
rrr rrr rrr rrr
}
Track(14) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$t{n(ChineseCymbal),}
Rythm{
[4trr rrr rrr rrr rrr rrr rrr rrr]
}
Track(15) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$d{n(LongGuiro),}$s{n(ShortGuiro),}
Rythm{
srr rrr rrs d^s srd srd ^^s dss
srd srd ^^s d^s srd srd ^^s sss 
srd srd ^^s d^s srd srd ^^s dss
srd srd ^^s d^s srr rrr rrr rrr
}
//------------------------------------------------------------------------------B2

Track(1) Channel(1)
@5 l4 q90 V(127) v55 o5　REV(30)
[
'ega#`c'^^ ^^'ega#`c' rr'ega#`c' rr'ega#`c' 'ef#a#`c'^^ ^^'ef#a#`c' rr'ef#a#`c' rr'ef#a#`c'
:
'dfgb'^^ ^^'dfgb' rr'dfgb' rr'dfgb' 'de#gb'^^ ^^'de#gb' 'd-eg-b-'^^ 'c-d#fa'^'d#fa`c-']
'dfgb'^^ ^^'dfgb' rr'dfgb' rr'dfgb' 'de#gb'^^ ^^'de#gb' 'df-a-b'^'f-a-b`d' 'fab#`d#'^'d#fab#'

Track(2) Channel(2)
@5 l4 q70 V(127) v65 o6　REV(30)

[S{'a#`c'^^}`e^`f 'a#`c`e'^^ 'a#`c`e'^^ ^^'a#`c`e' S{'a#`c'^^^}`e^`f# `gr'a#`c`f#' ^^'a#`c`f#' ^^'a#`c`f#'
:
rr'gb`d' ^^'gb`e#' 'gb`d'^^ ^^'gb`d' 'gb`e#'^'gb`f' 'gb`e#'^^ rr'g-b-`e' rr'fa`d#']
rr'gb`d' ^^'gb`e' 'gb`d'^^ ^^'gb`d' rr'gb`e#' ^^'b`e#`g' rr'b`f-`a-' rr'b#`f`a'
Track(3) Channel(3)
@74 l4 q99 V(127) v107 o6　REV(30)
rr`c ^^^ ^^b a#^^ ^^^ ^^r f#^g a#^b
`cr`d ^^^ ^r`c b^^ ^ra grg g-^^ f^^
rr`c ^^^ ^^b a#^^ ^^^ ^^r f#^g a#^b
`cr`d gr`c ^^`d gr`c ^^`e# gr`c `d^^ rrr
Track(4) Channel(4)REV(30)
@33 l4 q95 V(127) v95 o2
[a#^^b^^`c^^`e^^ >d#^^c^^"b^^"a#^^<
:
g^^b^`c`d^^ b^^ >c^dc^^c-^^<b^^]
g^b`d^^b^^a#^g >c^^c^^d^^d#^^<

Track(5) Channel(5)
P(64)l4 q99 V(127) o5　REV(30) EP(127)

S{<a#^^ ^^^ ^^^ ^^^ f#^^ ^^^ ^^^ ^^^>}S{c^^ ^^^ ^^^ ^^^ "a#^^ ^^^ ^^^ ^^^}e^^ ^^^ ^^^ ^^^c^^ ^^^ ^^^ ^^^
S{<g^^ ^^^ d^^ ^^^ e#^^ ^^^ e^g- a^^>}S{<b^^ ^^^ g^^ ^^^ ^^^ ^^^ g-^b- b^^>}d^^ ^^^ ^^^ ^^^c^^ "b^^ "b-^d d#^^
S{<a#^^ ^^^ ^^^ ^^^ f#^^ ^^^ ^^^ ^^^>}S{c^^ ^^^ ^^^ ^^^ "a#^^ ^^^ ^^^ ^^^}e^^ ^^^ ^^^ ^^^c^^ ^^^ ^^^ ^^^
S{<g^^ ^^^ d^^ ^^^ e#^^ g^^b^^b#^^>}S{<b^^ ^^^ g^^ ^^^ ^^^> c^^d^^ d#^^}d^^ ^^^ ^^^ ^^^c^^ e#^^ f-^^ f^^

Track(10) Channel(10)
l4q95 V(127) v55 @(AnalogSet) EP(127)

$y{n(MuteTriangle),}
Rythm{
[4yrr rry rry rry yrr yrr yrr yrr]
}

Track(11) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$u{n(OpenTriangle),}
Rythm{
[4rru rrr urr urr rru rru rru rru]
}
Track(12) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$i{n(LowTom1),}
Rythm{
[8irr rrr irr rrr]
}
Track(13) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$p{n(HighTom2),}
Rythm{
[8rrr rrr rrr rrp]
}
Track(14) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$t{n(ChineseCymbal),}
Rythm{
[4trr rrr rrr rrr rrr rrr rrr rrr]
}

Track(15) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$d{n(LongGuiro),}$s{n(ShortGuiro),}
Rythm{
[srd srd srd srd srd srd srd srs
srd srd srd srd srd srd srd ^ss]
}

//------------------------------------------------------------------------------piano solo
Track(1) Channel(1)
@5 l4 q90 V(127) v70 o5　REV(30) EP(127)
rr'dfgb'^^'dfgb' rr'cefa'^^'cefa' rr'"bd#fa'^^'"bd#fa' rr'"bd#fa'^^'"bd#fa'
rr'dfgb'^gf er'cefa'^^'cefa' rr'"bd#fa'^^'"bd#fa' '"a"bd#f'r'"f"a"bd#'r'"a"bd#f''"bd#fa'
rr'dfg'^^'dfg' rr'cefa'^^'cefa' rr'"bd#fa'^^'"bd#fa' rr'"bd#fa'^^'"bd#fa'
'dfgb'r'dfgb'^^q45['fgb`d'8] q90'efa`c'r'efa`c'^^q45a8f8 q90'"bd#fa'r'"bd#fa'^^q45'"bd#fa' '"bd#fa'rq90'"bd#fa'^'d#fab''fab`d#'
Track(2) Channel(2) 
@5 l4 q70 V(127) v105 o6　REV(30) EP(127)

gg-f ^^f gg-f gg-f g8g-8f8g8g-8f8 d#fa8`c8 rr`d# ^^`d 
`cr'egb' ^^^rra gg-f g8g-8f8e8e-8e8 r8f8e8e-8d8c8 d8c8<b8a8g8g-8 fab 
brb b^^>rre agg- >d8c8c-8<b8a8f8 >f8e8e-8d8c8<b8 aag gg-f 
gg-f gfg fgf 'eg'f'eg'  S{frf rfr frf rfr}bab aba bab aba<
Track(3) Channel(3) 
@74 l4 q99 V(127) v60 o6　REV(30) EP(127)
[4rrr rrr rrr rrr rrr rrr rrr rrr]
Track(4) Channel(4) REV(30) EP(127)
@33 l4 q95 V(127) v95 o2
[`errerr `frrfrr brrbrr `brrbrr
`errerr `frrfrr brrbrr `brrbrr]

Track(5) Channel(5)
P(64)l4 q99 V(127) o5　REV(30) EP(127)
[S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ ^^^}S{e^^ ^^^ c^^ ^^^ d#^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^
S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ ^^^}S{e^^ ^^^ c^^ ^^^ d#^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^]



Track(10) Channel(10)
l4q95 V(127) v55 @(AnalogSet) EP(127)

$y{n(MuteTriangle),}
Rythm{
[8yry rrr yrr rrr]
}

Track(11) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$u{n(OpenTriangle),}
Rythm{
[8rrr urr rrr urr]
}

Track(12) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$i{n(LowTom1),}
Rythm{
[8irr rrr rrr rrr]
}
Track(13) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$p{n(HighTom2),}
Rythm{
[8rrr rrr prr rrr]
}
Track(14) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$t{n(ChineseCymbal),}
Rythm{
[4trr rrr rrr rrr rrr rrr rrr rrr]
}

Track(15) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$d{n(LongGuiro),}$s{n(ShortGuiro),}
Rythm{
[4srd srd ^^s srs d^^ srs d^s dss]

}

//------------------------------------------------------------------------------B3

Track(1) Channel(1)
@5 l4 q90 V(127) v55 o5　REV(30)
[
'ega#`c'^^ ^^'ega#`c' rr'ega#`c' rr'ega#`c' 'ef#a#`c'^^ ^^'ef#a#`c' rr'ef#a#`c' rr'ef#a#`c'
:
'dfgb'^^ ^^'dfgb' rr'dfgb' rr'dfgb' 'de#gb'^^ ^^'de#gb' 'd-eg-b-'^^ 'c-d#fa'^'d#fa`c-']

'dfgb'^^ ^^'dfgb' rr'dfgb' rr'dfgb' 'dfgb'^^ ^^'dfgb' rr'dfgb' rr'dfgb'

'de#gb'^^ ^^'de#gb' rr'de#gb' rr'de#gb' 'de#gb'^^ ^^'de#gb' 'df-a-b'^'f-a-b`d' 'fab#`d#'^'ab#`d#`f'


Track(2) Channel(2)
@5 l4 q70 V(127) v65 o6　REV(30)

l8v95a#ba#v90bv85a#v75b v70a#v65bv60a#v55bl4v65 'a#`c`e' 'a#`c`e'^^ ^^'a#`c`e' S{'a#`c'^^^}`e^`f# `gr'a#`c`f#' ^^'a#`c`f#' ^^'a#`c`f#'
rr'gb`d' ^^'gb`e#' 'gb`d'^^ ^^'gb`d' 'gb`e#'^'gb`f' 'gb`e#'^^ rr'g-b-`e' rr'fa`d#'
S{'a#`c'^^}`e^`f 'a#`c`e'^^ 'a#`c`e'^^ ^^'a#`c`e' S{'a#`c'^^^}`e^`f# `gr'a#`c`f#' ^^'a#`c`f#' ^^'a#`c`f#'
rr'gb`d' ^^'gb`e' 'gb`d'^^ ^^'gb`d' rr'gb`d' ^^'gb`e' 'gb`d'^^ ^^'gb`d'

rr'gb`e#' ^^'gb`e#' 'gb`e#'^^ ^^'gb`e#' rr'gb`e#' ^^'gb`e#' rr'b`f-`a-' rr'b#`f`a'

Track(3) Channel(3)
@74 l4 q99 V(127) v107 o6　REV(30)
rr`c ^^^ ^^b a#^^ ^^^ ^^r f#^g a#^b
`cr`d ^^^ ^r`c b^^ ^ra grg g-^^ f^^
rr`c ^^^ ^^b a#^^ ^^^ ^^r f#^g a#^b
`cr`d gr`c ^^`d gr`c ^^`d gr`c ^^`d gr`c
^^`e# gr`c ^^`e# gr`c ^^`e# gr`c ^^`f- rr`f


Track(4) Channel(4)REV(30)
@33 l4 q95 V(127) v95 o2
[a#^^b^^`c^^`e^^ >d#^^c^^"b^^"a#^^<
:
g^^b^`c`d^^ b^^ >c^dc^^c-^^<b^^]
g^^`d^^b^^a#^^ g^^f^^g^^b^^
[4rrr rrr]


Track(5) Channel(5)
P(64)l4 q99 V(127) o5　REV(30) EP(127)

S{<a#^^ ^^^ ^^^ ^^^ f#^^ ^^^ ^^^ ^^^>}S{c^^ ^^^ ^^^ ^^^ "a#^^ ^^^ ^^^ ^^^}e^^ ^^^ ^^^ ^^^c^^ ^^^ ^^^ ^^^
S{<g^^ ^^^ d^^ ^^^ e#^^ ^^^ e^g- a^^>}S{<b^^ ^^^ g^^ ^^^ ^^^ ^^^ g-^b- b^^>}d^^ ^^^ ^^^ ^^^c^^ "b^^ "b-^d d#^^
S{<a#^^ ^^^ ^^^ ^^^ f#^^ ^^^ ^^^ ^^^>}S{c^^ ^^^ ^^^ ^^^ "a#^^ ^^^ ^^^ ^^^}e^^ ^^^ ^^^ ^^^c^^ ^^^ ^^^ ^^^
S{<g^^ ^^^ d^^ ^^^ g^^ ^^^ d^^ ^^^>}S{<b^^ ^^^ g^^ ^^^ b^^ ^^^ g^^ ^^^>}d^^ ^^^ ^^^ ^^^ ^^^ ^^^ ^^^ ^^^

rrr rrr rrr rrr rrr rrr rrr rrr
Track(10) Channel(10)
l4q95 V(127) v55 @(AnalogSet) EP(127)

$y{n(MuteTriangle),}
Rythm{
[4yrr rry rry rry yrr yrr yrr yrr]
rrr rrr rrr rrr rrr rrr rrr rrr
}

Track(11) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$u{n(OpenTriangle),}
Rythm{
[4rru rrr urr urr rru rru rru rru]
rrr rrr rrr rrr rrr rrr rrr rrr
}
Track(12) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$i{n(LowTom1),}
Rythm{
[8irr rrr irr rrr]
rrr rrr rrr rrr rrr rrr rrr rrr
}
Track(13) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$p{n(HighTom2),}
Rythm{
[8rrr rrr rrr rrp]
rrr rrr rrr rrr rrr rrr rrr rrr
}
Track(14) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$t{n(ChineseCymbal),}
Rythm{
[4trr rrr rrr rrr rrr rrr rrr rrr]
rrr rrr rrr rrr rrr rrr rrr rrr
}

Track(15) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$d{n(LongGuiro),}$s{n(ShortGuiro),}
Rythm{
[srd srd srd srd srd srd srd srs
srd srd srd srd srd srd srd ^ss]
rrr rrr rrr rrr rrr rrr rrr rrr
}

//------------------------------------------------------------------------------アウトロ
Track(1) Channel(1)
@5 l4 q90 V(127) v55 o5　REV(30) EP(127)

[3rr'gb`d`f'^^'gb`d`f' rr'fa`c`e'^^'fa`c`e' rr'fab`d'^^'fab`d' rr'fab`d'^^'fab`d']
rr'gb`d`f'^^'gb`d`f' rr'fa`c`e'^^'fa`c`e' rr'fab`d'^^'fab`d' rr'fab`d'rrr

Track(2) Channel(2) 
@5 l4 q70 V(127) v65 o6　REV(30) EP(127)
[3rr'b`e`a' 'b`e`g'^'b`e`a' >rr'cfb''cfa'^'"acf'< rr'b>df<' 'b>df<'^'b>e<'rr'b>df<' rr'b>e<']
rr'b`e`a' 'b`e`g'^'b`e`a' >rr'cfb''cfa'^'"acf'< rr'b>df<' 'b>df<'^'b>e<'rr'b>df<' rrr
rrrrrrrr
Track(3) Channel(3) 
@74 l4 q99 V(127) v107 o6　REV(30) EP(127)
`err rrr rrr rrr rrr rrr rrr rrr
rrr rrr rrr rrr rrr rrr rrr rrr
Track(4) Channel(4) REV(30) EP(127)
@33 l4 q95 V(127) v95 o2
`errerr `frrfrr brrbrr `brrbrr
`errerr `frrfrr brrbrr `brrbrr
`errerr `frrfrr brrbrr `brrbrr
Track(5) Channel(5)
P(64)l4 q99 V(127) o5　REV(30) EP(127)
S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ ^^^}S{e^^ ^^^ c^^ ^^^ d^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^
S{"b^^ ^^^ "a^^ ^^^ "b^^ ^^^ ^^^ ^^^}S{e^^ ^^^ c^^ ^^^ d^^ ^^^ ^^^ ^^^}g^^ ^^^ f^^ ^^^ ^^^ ^^^ ^^^ ^^^



Track(10) Channel(10)
l4q95 V(127) v55 @(AnalogSet) EP(127)

$y{n(MuteTriangle),}
Rythm{
[4yry rrr yrr rrr]
}

Track(11) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$u{n(OpenTriangle),}
Rythm{
[4rrr urr rrr urr]
}

Track(12) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$i{n(LowTom1),}
Rythm{
[4irr rrr rrr rrr]
}
Track(13) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$p{n(HighTom2),}
Rythm{
[4rrr rrr prr rrr]
}
Track(14) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$t{n(ChineseCymbal),}
Rythm{
[2trr rrr rrr rrr rrr rrr rrr rrr]
}

Track(15) Channel(10) 
l4 q95 V(127) v80@(AnalogSet) EP(127)
//_リズムマクロの定義
$d{n(LongGuiro),}$s{n(ShortGuiro),}
Rythm{
[2srd srd ^^s srs d^^ srs d^s dss]

}