//_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ // // 「HALEY」 // // 作曲：ななこっち★ @1986/??/?? // 著作者：旺文社（注：製作者のみ使用許諾済） // MMLかき：ななこっち★ @2013/09/28 // MMLかきなおし：ななこっち★ @2013/09/28 // MMLさらにかきなおし：ななこっち★ @2015/01/07 // ライセンス：転載禁止、改変禁止 // // 奨励音源 // TiMidiTy // http://www.daiba.cx/TiMidity%2b%2b/ // ※音源 2013/10/03版ですが、巨大なため、まだアップロードしていません // //_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ // 旺文社＆ソニーテープ大賞受賞曲を再現したものです。 // 音は結構間違っています。 // この曲の最大のテーマである発進音もどき（FM音源）もありません。 // 本来なら45小節に入ります // エンディングは、完全に記憶がないため、模造しています。 // サウンドフォントは、ドラムとピアノ、トランペット以外、可能な限り、 // FX-1に近い物を選定しています。 //_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ // 原曲の楽器 // YAMAHA FX-1 ×2 // YAMAHA DX-7 ×2 // 生ドラム // // 使用したSoundFont // GMR Basico // JClive // Atomic // Titanic // Piano_Yamaha_DX7 // Giant // FluidR3 // Evanessence2 // acoustic_grand_piano_ydp_20080910 // Famicom // drumkit1.3XG // その他・・・ // ↑容量的にはかなり贅沢ですが、費用的にはタダです // 32bitパソコンで、全部メモりに読み込めば、パンクします //_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ // ちょいと・・・ // これだけの長さの曲ではありますが、記憶がほぼはっきりしていたためか // 入力は8時間30分程度でほとんど終わってます。 (TiMidiTy++の音色定義も含めて) // 本来のハレー彗星の綴りは Halleyですが、 // 「HALEY」の曲名で、「ハレー」で間違いありません。 // // YAMAHAで子供の時に作曲して、まともな曲だったら、JOC出れるはずなんですが // これは出ていません。。。（大賞応募前です） // （実際には、3人用→10人用にアレンジをして、ピアノのグループレッスンメンバー // 10名で発表会で演奏しました。。。） // // 最初のほうのピコピコ音は、DX-7のピッチエンベロープを再現したものです。 // // そういうわけですが、、実は・・・ // わざわざテープ大賞の為に作った曲でないことだけは、明かしておきます。 // // 今回のは、試しに4分割して作ってみました。 // 分割して、後で結合 (Time文を使って）すると、かなり制作の効率が上がるようです // 「///////////////」とあるのが、その分割の区切れです。 //_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ // 第１フェーズ制作開始：2013/09/28 18:00 // 第２フェーズ制作開始：2013/09/28 18:25 // 第３フェーズ制作開始：2013/09/28 23:45 // 第４フェーズ制作開始：2013/09/29 00:57 // 結合フェーズ制作開始：2013/09/29 01:50 // （会社（仮称）サーバートラブルのため、一時休止） // 調整フェーズ制作開始：2013/09/29 04:30 // MML完成　 　　　　　：2013/09/29 14:30 // 有料販売用データ完成：2015/01/07 12:07 //_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/_/ Tempo 100 System.TimeBase=10368 Expression.Frequency(1); Modulation.Frequency(1); #PEDALON={Sub {r16y64,127}} #PEDALOFF={r-32 y64,0 r32} Function RandV(Int MIN, Int MAX) { Str MML="v" MML=MML+Random(MIN,MAX) // Print(MML) MML } Function RandR(Int MIN, Int MAX) { Str MML="r" Int VALUE=Random(0,10) IF(VALUE<5) { MML=MML+"-" } MML=MML+Random(MIN,MAX) // Print(MML) MML } Function BG(Str MML) { 　　Str BUF="" Str FIRST="" 　　Str ML="" 　　Str M 　　Str R Str FM Int C=0 　　BUF="" R="" 　　For(Int i=1; MID(MML, i, 1)!=""; i++) { 　　　　M=MID(MML, i, 1) // Print("Count "+ C + " Str="+M) 　　　　IF(M="a"||M="b"||M="c"||M="d"||M="e"||M="f"||M="g") { C++ IF(C<3) { FIRST=ML ML=FM+M FM="" } ELSE { 　　　　　　R=R+"r"+Random(144,384) 　　　　　　　　 BUF=BUF+"Sub" + CHR(123)+R+ML+CHR(125) 　　　　　　ML=M } 　　　　} ELSE { IF(C>0) { 　　　　　　 ML=ML+M } ELSE { FM=FM+M } 　　　　} 　　} 　　BUF="Sub"+CHR(123)+FIRST+CHR(125)+BUF+"Sub"+CHR(123)+R+ML+CHR(125)+"r" // Print(BUF) // IF(GAKUHU=1) { // BUF="'"+MML+"'" // } 　　BUF } Function BF(Str MML) { Str BUF="" Str FIRST="" Str ML="" Str M Str R Str FM Int C=0 MML=#STR(RandV(70,90))+MML+">"+#STR(RandV(70,90))+MML+"<" BUF="" R="" For(Int i=1; MID(MML, i, 1)!=""; i++) { M=MID(MML, i, 1) // Print("Count "+ C + " Str="+M) IF(M="a"||M="b"||M="c"||M="d"||M="e"||M="f"||M="g") { IF(C>0) { FIRST=ML ML=FM+""+M FM="" } ELSE { IF(RATE>0) { IF(RATE=1) { R=R+"r"+Random(100,512) } ELSE { IF(RATE=2) { R=R+"r"+Random(84,384) } ELSE { IF(RATE=3) { R=R+"r"+Random(45,384) } ELSE { 　　 　 R=R+"r"+Random(30,192) } } } } ELSE { R="" } BUF=BUF+"Sub" + CHR(123)+R+ML+CHR(125) ML=""+M } C++ } ELSE { IF(C>0) { ML=ML+""+M } ELSE { FM=FM+""+M } } } BUF=BUF+"Sub"+CHR(123)+R+ML+CHR(125)+FIRST // Print(BUF) 　　BUF } ////////////////////////////////////////////////////////////////////////////// TR(1) REV(127) Voice(Vibraphone) v90 o5 #PEDALON r1 l32 fa>ce g2.< dfa>ce2.< dfa>c1< << b-4>d6f6a7 b-8>d7f6a6 b-5>d5f4a5^1 #PEDALOFF #PEDALON r4 l32 dfa>ce2.< dfa>c2.< dfa2.< << g4b-6>d6f7 g8b-8>d7f6 g5b-4>d3f4^1 #PEDALOFF Tempo 110 TR(2) REV(127) Voice(Strings2) v70 o5l40 [12 r1] #PEDALON r1 [5 [4 fa>cec< ] ] #PEDALOFF #PEDALON [2 [3 eg#b>dcceg< ] ] #PEDALOFF #PEDALON [4 [4 fb->df< ] ] #PEDALOFF #PEDALON [4 [4 g>ceg< ] ] #PEDALOFF #PEDALON [4 [4 fb->df< ] ] #PEDALOFF #PEDALON [4 [4 b->e-gb-< ] ] #PEDALOFF #PEDALON [4 [4 a->d-fa- < ] ] #PEDALOFF #PEDALON [4 [4 b->e-gb-< ] ] #PEDALOFF #PEDALON [4 [4 a->d-fa- < ] ] #PEDALOFF #PEDALON [4 [4 g>ceg< ] ] #PEDALOFF #PEDALON [4 [4 fb->df< ] ] #PEDALOFF #PEDALON Tempo 105 [4 [4 g>ceg< ] ] Tempo 100 [4 [4 g>ceg< ] ] Tempo 90 Sub {Expression.onTime(127,0,!1) } [3 [4 g>ceg< ] ] #PEDALOFF TR(3) REV(127) v115 Voice(Flute) o5 [12 r1] [6　r1] r8-r32 l8q100 g4.>g l4 g1^4ce Sub {r1r1r1 Expression.onTime(127,0,!1) } f2e2d2c4b-8 b-1^e-g Sub {r1r1r1 Expression.onTime(127,0,!1) } a-2g2f2e-4b-4 ^1^2r4 r1r2. v120 Expression(127) Voice(Piccolo) o6 g4.>g8 l4 g1^4ce Sub {r1r1r1 Expression.onTime(127,0,!1) } f2e2d2c4g4 ^1^2r4 r1r2. #pt={ Sub { Expression(127) y100,0 y101,0 y6,24 o6 Sub {Expression.onTime(100,127,!1.,127,100,!1.,100,0,!1) } p.onTime(64,32,!2.,32,127,!1.,127,48,!1.) c1^1^1^1 } r1r1 } TR(4) REV(127) v107 Voice(SquareLead) o5 [22 r1] r4r4 q100 l16 o5 #pt [6 r1] o5 #pt [6 r1] o5 #pt r1 TR(5) REV(127) v115 Voice(SquareLead) o5 [22 r1] r4r4 q100 l16 Key(8) o5 #pt [6 r1] o5 #pt [6 r1] o5 #pt r1 Key(0) ////////////////////////////////////////////////////////////////////////////// Tempo 180 #introbrass={ Tempo 180 l8 q90 b q80ag> q90 c q80 q90 dq80 c q90 e q80 dc l12 q90 fed gfe l8 q90 c q80 q90 d- q80 c q90 e-q80 d- c q90 f q80 e-d- l12q90 gfe- a-gf l8 q90 d q80c q90 e- q80 dc q90 f e- d q90 g q80 fe- l12q90 a-gf b-ag# l6 q85 Tempo 175 gg#a Tempo 170 a#b>c Tempo 165 c#dd# Tempo 160 eff# q90 Tempo 120 l4g Tempo 110 g# Tempo 100 a Tempo 90 a# Tempo 80 b1 Tempo 180 Sub{l4 'ce>c<'<} } #introbass={ l4. gggg g4g4 l4. a-a-a-a- a-4a-4 l4. b-b-b-b- b-8b-8a8g#8 l6 gf#f ed#d c#c l4 gf#fed1 } #mbc1={ crrgrr>cr< } #mcc1={ [2 r[2 BG(g>ce<)] ] r BG(g>ce<) } #mb1={ #mbc1 b-rrfrrdr } #mc1={ #mcc1 [2 r[2 BG(fb->d<)] ] r BG(fb->d<) } #mb2={ e-rrb-rr>e-r< crrgrr>cr< } #mc2={ [2 r[2 BG(gb->e-<)] ] r BG(gb->e-<) [2 r[2 BG(gb->e<)] ] r BG(gb->e<) } #mb3={ frr>crrfr< f#rr>crrf#r< errbrr>er< arr>errar< [2 drrarr>dr< ] [2 grr>drrgr< ] } #mb4={ frr>crrfr< f#rr>crrf#r< errbrr>er< arr>errar< [2 drrarr>dr< ] g4.g4.g4.g4.g4g4 g4.g4.g4.g4.g4f#4 } #mb5={ frr>crrfr< f#rr>crrf#r< errbrr>er< arr>errar< [2 drrarr>dr< ] g4.g4.g4.g4.g4g4 g4.g4.g2 } #mc3={ [2 r[2 BG(a>cf<)] ] r BG(a>cf<) [2 r[2 BG(a>cf#<)] ] r BG(a>cf#<) [2 r[2 BG(gb>e<)] ] r BG(gb>e<) [2 r[2 BG(a>c#e<)] ] r BG(a>c#e<) [2 r[2 BG(fa>d<)] ] r BG(fa>d<) [2 r[2 BG(f#a>d<)] ] r BG(f#a>d<) [2 r[2 BG(g>cd<)] ] r BG(g>cd<) [2 r[2 BG(gb>d<)] ] r BG(gb>d<) } #mc4={ [2 r[2 BG(a>cf<)] ] r BG(a>cf<) [2 r[2 BG(a>cf#<)] ] r BG(a>cf#<) [2 r[2 BG(gb>e<)] ] r BG(gb>e<) [2 r[2 BG(a>c#e<)] ] r BG(a>c#e<) [2 r[2 BG(fa>d<)] ] r BG(fa>d<) [2 r[2 BG(f#a>d<)] ] r BG(f#a>d<) [4 [3 BG(g>cd<) ] ] [2 [2 BG(g>cd<) ] ] [4 [3 BG(gb>d<) ] ] [2 [2 BG(gb>d<) ] ] } #mc5={ [2 r[2 BG(a>cf<)] ] r BG(a>cf<) [2 r[2 BG(a>cf#<)] ] r BG(a>cf#<) [2 r[2 BG(gb>e<)] ] r BG(gb>e<) [2 r[2 BG(a>c#e<)] ] r BG(a>c#e<) [2 r[2 BG(fa>d<)] ] r BG(fa>d<) [2 r[2 BG(f#a>d<)] ] r BG(f#a>d<) [4 [3 BG(g>cd<) ] ] [2 [2 BG(g>cd<) ] ] [6 'gb>d<' ] Sub {r2 Expression.onTime(64,0,!2) } 'g1b1>d1<' } #mainbass1={ l8 [2 #mb1 ] [3 #mb1 ] #mb2 #mb3 } #mainbass2={ l8 [3 #mb1 ] #mb2 #mb4 } #mainbass3={ f4.c4.f4f4f4 e4.e4.a4a4a4 e4e4e4 f4.f4.g4g4g4 e4.e4.a4a4a4 d4.d4.d4d4d4 [ g4.g4.g4.g4.g4g4 ] } #mainbass4={ l8 [3 #mb1 ] #mb2 #mb5 } #mainchord1={ l8 [2 #mc1 ] [3 #mc1 ] #mc2 #mc3 } #mainchord2={ l8 [3 #mc1 ] #mc2 #mc4 } #subchord1={ q100 'a1.>c1.f1.<' 'g2.b2.>e2.<' 'a2.>c2.e2.<' 'f2.a2.>d2.<' 'g#2.b2.>e2.<' 'a1.>c1.e1.<' 'a2.>c2.f2.<' 'g2.b2.>f2.<' 'g#2.b2.>e2.<' 'a2.>c2.e2.<' 'a2.>c2.f2.<' 'f#2.a2.>d2.<' 'g1^1>c1^1f1^1<' 'g1^1b1^1>f1^1<' } #mainchord3={ l8 [3 #mc1 ] #mc2 #mc5 } #mainmelody1={ l8 r-8 g2^8ce f4e4d4c8 g2^8ce f4e4d4c8g8& g1 ^2^8r8g#4 a2^8cf a4>c4dc#& c#2rc e2^8ce q95 d2^4. q80 g& g2 } #mainmelody2={ Sub{r4 l28 gab>cdef l8}r2 l8 g2^8ce f4e4d4c8 g2^8ce f4e4d4c8g8& g1 ^2^4g#4 a2^8cf a4>c4dc#& c#2r c#de f2^8c e2^8ce q99 d1^1 g1^4 } #submelody1={ r-4 q100 Sub { l40 o2 cc#dd#eff#gg#aa#b> cc#dd#eff#gg#aa#b> } Sub { o3 ff#gg#aa#b> cc#dd#eff#gg#aa#b> cc#dd#ef } Sub { l40 o3 cc#dd#eff#gg#aa#b> cc#dd#eff#gg#aa#b> } Sub { l40 o4 cc#dd#eff#gg#aa#b> cc#dd#eff#gg#aa#b> } r2 o6 l4 Sub {BG(c1.f1.a2.)} r2.>ce2.g2) } r2e l2. BG(c) l4 Sub {BG(d2.f2) } r2d Sub {BG() } rcd l1. Sub{BG(c)} l2.ec l2. BG(cfa) l4 Sub { BG(d2.g2.b2) } r2g l2. BG(g#b>d<) l2. BG(ea>c<)< l4 Sub {'a1.>c1.'} f2.f#ga 'c1.^4d1.^4g1.^4' Sub { l40 o6 cc#dd#eff#gg#aa#b> } Sub { l40 o6 dd#eff#gg#aa#b> cc# } Sub { l40 o7 gg#aa#b> cc#dd#eff# } r4 < l1.BG(b>dg) } #mainmelody3={ Sub{r4 l28 gab>cdef l8}r2 l8 g2^8ce f4e4d4c8 g2^8ce f4e4d4c8g8& g1 ^2^4g#4 a2^8cf a4>c4dc#& c#2r c#de f2^8c e2^8ce q99 d1^1 Tempo 150 Sub {r2 Expression.onTime(127,64,!2) } g1^4& Tempo 90 g2&g8 Tempo 90 c8e8 q100 f4e4d4c8g8& g1&g1&g1&g1& Sub {r2 Expression.onTime(64,0,!2) } g1 } #nextmelody2={ Tempo 80 g2&g8c8e8 f4e4d4c8g8& g1&g1&g1 } #nextmelody3={ Tempo 76 g2&g8c8e8 Tempo 72 f4e4 Tempo 70 d4 Tempo 65 c8g8& Tempo 50 Sub {r2 Expression.onTime(64,0,!2) } g1 } #horn1={ l8 [2 r1] g2^ce f4e4d4c g2^e-f g4fe4.c4 f2^c f#4a4g4f#e& e2.b8a8& a2^fga& a2^cf f#2^cf# g1^1^1r1 } TR(1) Time(45:0:0) Expression(127) v127 o4 Voice(BrassSection) #introbrass Voice(Trumpet) [4 r1] o6q80 #mainmelody1 o5 v122 Voice(Strings1) q85 #mainmelody2 r2 v110 Voice(DrawbarOrgan) q88 #submelody1 o5 v127 Voice(Strings1) q88 #mainmelody3 TR(2) Time(45:0:0) v110 o4 Expression(127) Voice(Strings1) #introbrass TR(3) o4 Time(44:0:0) Expression(127) v127 Voice(FrenchHorn) [62 r1] r2q95 r1 #horn1 > Sub {r2 Expression.onTime(127,64,!2) } r1 r4 Sub {#nextmelody2} r1r1 < #nextmelody3 TR(8) Time(45:0:0) @(ElectricPiano2)//6 o3 v70 #introbass o4q40 #mainchord1 #mainchord2 q95 v110 Voice(Strings2) #subchord1 q40 @(ElectricPiano2)//6 v70 #mainchord3 TR(14) Time(45:0:0) v1 Voice(SynthStrings1) o3 #introbass o4q40 #mainchord1 #mainchord2 q95 v90 Voice(ChoirAahs) #subchord1 TR(9) Time(45:0:0) Expression(127) v127 o3 Voice(SynthBass2) #introbass q60 #mainbass1 #mainbass2 #mainbass3 #mainbass4 TR(10) Time(45:0:0) Voice(1) $k{RandR(999,1728) RandV(124,127) n(Sticks),} //37 $B{RandR(999,1728) RandV(124,127) n(Kick2),}//35 $b{RandR(999,1728) RandV(124,127) n(Kick1),}//36 $S{RandR(999,1728) RandV(120,127) n(Snare2),}//40 $s{RandR(999,1728) RandV(120,127) n(Snare1),}//38 $L{RandR(999,1728) RandV(123,127) n(LowTom2),}//41 $l{RandR(999,1728) RandV(123,127) n(LowTom1),}//43 $M{RandR(999,1728) RandV(123,127) n(MidTom2),}//45 $m{RandR(999,1728) RandV(123,127) n(MidTom1),}//47 $T{RandR(999,1728) RandV(123,127) n(HighTom2),}//48 $t{RandR(999,1728) RandV(123,127) n(HighTom1),}//50 $p{RandR(999,1728) RandV(110,127) n(PedalHiHat),}//44 $h{RandR(999,1728) RandV(115,127) n(ClosedHiHat),}//42 $o{RandR(999,1728) RandV(120,127) n(OpenHiHat),}//46 $r{RandR(999,1728) RandV( 85,100) n(RideCymbal1),}//51 $R{RandR(999,1728) RandV(120,127) n(RideBell),}//53 // Ride cup $i{RandR(999,1728) RandV( 85,95) n(MuteHighConga),}//62 $I{RandR(999,1728) RandV(120,127) n(OpenHighConga),}//63 $c{RandR(999,1728) RandV(120,127) n(CrashCymbal1),}//49 $C{RandR(999,1728) RandV(120,127) n(CrashCymbal2),}//57 $H{RandR(999,1728) RandV(120,127) n(SplashCymbal),}//55 $A{RandR(999,1728) RandV(120,127) n(ChineseCymbal),}//52 $f{RandR(999,1728) RandV(120,127) n(Slap),}//28 // alt cymbal $y{RandR(999,1728) RandV(120,127) n(HighBongo),}//60 $Y{RandR(999,1728) RandV(120,127) n(LowBongo),}//61 q100 #rintro1={ Sub { Rythm { y4.Y4.y4.Y4.y4Y4 } } Sub { Rythm { [16 h8 ] } } Sub { Rythm { s4.s4.s4.s4.s4s4 } } Sub { Rythm { b4.b4.b4.b4.b4b4 } } r4.r4.r4.r4.r4r4 } #rintro2={ Sub { [4 Rythm { c6C6H6 } ] [2 Rythm { c4C4 } ] Rythm { c1 } } [4 Rythm { b6b6b6 } ] [2 Rythm { b4b4 } ] Rythm { b1 } } [3 #rintro1 ] #rintro2 #rmain1={ Sub { Rythm { R8r8r8R8r8r8R8r8 } } Sub { Rythm { b4k8b4k8b4 } } r1 } #rmain2={ Sub { Rythm { R8r8r8R8r8r8R8r8 } } Sub { Rythm { b8T8T8m8m8M8M8l8 } } Sub { Rythm { b4k8b4k8b4 } } r1 } #rmain3={ Sub { Rythm { [4 p8o8] } } Sub { Rythm { b4k8b4k8b4 } } r1 } #rmain31={ Sub { Rythm { [4 p8o8] } } Sub { Rythm { b4s8b4b8s8 } } r1 } #rmain4={ Sub { Rythm { p8T8T8m8m8M8M8l8 } } Sub { Rythm { [4 p8o8] } } Sub { Rythm { b4k8b4k8b4 } } r1 } #rmain41={ Sub { Rythm { p8T8T8m8m8M8M8l8 } } Sub { Rythm { [4 p8o8] } } Sub { Rythm { b4s8b4b8s8 } } r1 } #rmain5={ Sub { Rythm { c4.C4.c4.C4.c4C4 } } Sub { Rythm { [16 h8 ] } } Sub { Rythm { s4.s4.s4.s4.s4s4 } } Sub { Rythm { b4.b4.b4.b4.b4b4 } } r4.r4.r4.r4.r4r4 Sub { Rythm { c4.C4.c4.C4.c2 } } Sub { Rythm { [13 h8 ] } } Sub { Rythm { s4.s4.s4.s4.s2 } } Sub { Rythm { b4.b4.b4.b4.b2 } } r4.r4.r4.r4.r8 Rythm { m8M8l8 } } #rmain6={ Sub { Rythm { c4.C4.c4.C4.c4C4 } } Sub { Rythm { [16 h8 ] } } Sub { Rythm { s4.s4.s4.s4.s4s4 } } Sub { Rythm { b4.b4.b4.b4.b4b4 } } r4.r4.r4.r4.r4r4 Sub { Rythm { c4.C4.c1 } } Sub { Rythm { [7 h8 ] } } Sub { Rythm { s4.s4.s1 } } Sub { Rythm { b4.b4.b1 } } r1r1 } #rsub1={ Sub { Rythm { R4r8R4r8R4R4R4 } } Sub { Rythm { b4f8b4b8b4f4b4 } } r1. } #rsub2={ Sub { Rythm { R4r8R4r8R4R4R4 } } Sub { Rythm { b4f8b4b8b4f4b4 } } r2. r8 Rythm { m8m8M8M8L8 } } Expression(127) [3 #rmain1 ] #rmain2 Expression(110) Sub { Rythm{A1} } [7 #rmain3 ] #rmain4 Sub { Rythm{c1} } [7 #rmain3 ] #rmain4 Sub { Rythm{C1} } [7 #rmain3 ] #rmain4 Sub { Rythm{c1} } [6 #rmain3 ] #rmain5 Sub { Rythm{C1} } [3 #rsub1 ] #rsub2 Sub { Rythm{c1} } [3 #rsub1 ] #rmain5 Sub { Rythm{C1} } [7 #rmain31 ] #rmain41 Sub { Rythm{c1} } [6 #rmain31 ] #rmain6 ////////////////////////////////////////////////////////////////////////////// Tempo 80 #hmelody1={ l12 Sub {Expression.onTime(60,127,!2.) } g2.gag Sub {Expression.onTime(127,80,!1.) } f#8.r32d32 d2 dde f2. fgf Sub {r2. Expression.onTime(80,127,!1.) } f2e8.r16 l24e&ee&e&ef l12 g2.gag f#8.r32>d32 d2 dde f4 fcf a-4 a-e-a- Sub {r2Expression.onTime(127,0,!4) } b-b-b- b-fb- b8..r32 } #hchord1={ l12 Sub {Expression.onTime(60,127,!1) } Sub {c2} Sub {e2. ef#e} r1 Sub {Expression.onTime(127,80,!1.) } 'd8.'r32'c2.<' [3 'a>c<'] Sub {r2. Expression.onTime(80,127,!1.) } 'g2^8.>c2^8.<' r16 l24 Sub {g&gg&g&g g} > c&cc&c&c c 'c1e1' 'd8.'r32 'f#32a32' 'f#2a2' l12'df#''df#''eg' 'c2a2''c2e-2' Sub {r2Expression.onTime(127,0,!4.) } [6 'df'] 'd8..g8..'r32 } #hmelody2={ q100 Sub {Expression.onTime(95,127,!1) } Sub{l28 gab>cdef l8}r4 l12 g2.gag f#8.r32d32 d2 dde Sub {Expression.onTime(127,105,!1^1) } f2. fgf f2e8.r16 Sub {Expression.onTime(105,127,!1.) } l24e&ee&e&ef l12 g2.gag f#8.r32>d32 d2 dde f4 fcf a-4 a-e-a- Sub {r2 Expression.onTime(127,0,!4) } b-b-b- b-fb- b4 } #harp1={ l12 Expression(127) rcg> ecgec >c df#daf#d< rca- >dfda-fd< rcg> ecgec >c ecgec >c df#daf#d< rf>c ace->cf >dd4}Sub{rrf4}Sub{rrrb4}r4 } #hbass2={ Expression(127) c1 c1 c1 c1 c1 c1 f2a-2 Sub {r2 Expression.onTime(127,40,!2) } b-2g4r4 } TR(1) Time(132:0:0) Tempo 60 o5 REV(127) v70 Expression(127) Voice(Trombone) q95 #hmelody1 Voice(Piccolo) v120 #hmelody2 TR(2) Time(132:0:0) Expression(127) o5 REV(127) v65 Voice(FrenchHorn) q95 o5 Sub {#hmelody1} o5 #hchord1 TR(3) Time(132:0:0) Expression(127) o5 Voice(Strings2) [7 r1] r2. o5 v127 #hmelody2 Voice(Strings1) v98 o4 Sub {#hmelody2 } o5 Sub {#hmelody2 } o6 #hmelody2 TR(4) Time(132:0:0) Expression(127) p64 o5 Voice(OrchestralHarp) o4 [8 r1] #PEDALON v70 #harp1 o4 r4 v110 #harp1 #PEDALOFF TR(5) Time(132:0:0) Expression(127) p64 o5 Voice(Contrabass) o3 [8 r1] q95 v80 #hbass2 v127 #hbass2 TR(6) Time(132:0:0) Expression(127) p64 Voice(Timpani) o4 q100 [16 r1] v127 #hbass2 TR(10) Time(132:0:0) Voice(2) Expression(127) $k{RandR(999,1728) RandV(124,127) n(Sticks),} //37 $B{RandR(999,1728) RandV(124,127) n(Kick2),}//35 $b{RandR(999,1728) RandV(124,127) n(Kick1),}//36 $S{RandR(999,1728) RandV(124,127) n(Snare2),}//40 $s{RandR(999,1728) RandV(124,127) n(Snare1),}//38 $c{RandR(999,1728) RandV(124,127) n(CrashCymbal1),}//49 $C{RandR(999,1728) RandV(124,127) n(CrashCymbal2),}//57 [16 r1] System.vAdd=1 #r1={ q100 v127 Sub { Rythm { c1 } } // Sub { r4 Expression.onTime(20,127,!2.) Rythm { S2. } } Rythm {'b1s1'} v127 Sub { Rythm { C1 } } // Sub { r4 Expression.onTime(20,127,!2.) Rythm { S2. } } Rythm {'b1s1'} } #r2={ q100 v127 // Sub { [2 r16 Expression.onTime(20,127,!4..) Rythm { S4.. } ] } Rythm {'b2s2c2'} v127 Tempo 57 Rythm {'b2s2C2'} Tempo 55 Rythm {'bs12c12's12s12} Tempo 50 Rythm { s12s12s12} Tempo 100 Rythm { 'bsC2' } } [3 #r1] #r2 TR(11) Time(132:0:0) Voice(128) Expression(127) $S{v127 n(Snare2),}//40 [16 r1] System.vAdd=1 #r1={ q100 r4 Expression.onTime(20,90,!2.) Rythm { S2. } r4 Expression.onTime(20,90,!2.) Rythm { S2. } } #r2={ [2 r32 Expression.onTime(20,105,!4...) Rythm { S4... } ] } [3 #r1] #r2 ////////////////////////////////////////////////////////////////////////////// #mbc1={ crrgrr>cr< } #mcc1={ [2 r[2 BG(g>ce<)] ] r BG(g>ce<) } #mb1={ #mbc1 b-rrfrrdr } #mc1={ #mcc1 [2 r[2 BG(fb->d<)] ] r BG(fb->d<) } #mb2={ e-rrb-rr>e-r< crrgrr>cr< } #mc2={ [2 r[2 BG(gb->e-<)] ] r BG(gb->e-<) [2 r[2 BG(gb->e<)] ] r BG(gb->e<) } #mb3={ frr>crrfr< f#rr>crrf#r< errbrr>er< arr>errar< [2 drrarr>dr< ] [2 grr>drrgr< ] } #mb4={ frr>crrfr< f#rr>crrf#r< errbrr>er< arr>errar< [2 drrarr>dr< ] g4.g4.g4.g4.g4g4 g4.g4.g4.g4.g4f#4 } #mb5={ frr>crrfr< f#rr>crrf#r< errbrr>er< arr>errar< [2 drrarr>dr< ] g4.g4.g4.g4.g4g4 g4.g4.g4.g4.g4g4 } #mc3={ [2 r[2 BG(a>cf<)] ] r BG(a>cf<) [2 r[2 BG(a>cf#<)] ] r BG(a>cf#<) [2 r[2 BG(gb>e<)] ] r BG(gb>e<) [2 r[2 BG(a>c#e<)] ] r BG(a>c#e<) [2 r[2 BG(fa>d<)] ] r BG(fa>d<) [2 r[2 BG(f#a>d<)] ] r BG(f#a>d<) [2 r[2 BG(g>cd<)] ] r BG(g>cd<) [2 r[2 BG(gb>d<)] ] r BG(gb>d<) } #mc4={ [2 r[2 BG(a>cf<)] ] r BG(a>cf<) [2 r[2 BG(a>cf#<)] ] r BG(a>cf#<) [2 r[2 BG(gb>e<)] ] r BG(gb>e<) [2 r[2 BG(a>c#e<)] ] r BG(a>c#e<) [2 r[2 BG(fa>d<)] ] r BG(fa>d<) [2 r[2 BG(f#a>d<)] ] r BG(f#a>d<) [4 [3 BG(g>cd<) ] ] [2 [2 BG(g>cd<) ] ] [4 [3 BG(gb>d<) ] ] [2 [2 BG(gb>d<) ] ] } #mc5={ [2 r[2 BG(a>cf<)] ] r BG(a>cf<) [2 r[2 BG(a>cf#<)] ] r BG(a>cf#<) [2 r[2 BG(gb>e<)] ] r BG(gb>e<) [2 r[2 BG(a>c#e<)] ] r BG(a>c#e<) [2 r[2 BG(fa>d<)] ] r BG(fa>d<) [2 r[2 BG(f#a>d<)] ] r BG(f#a>d<) [4 [3 BG(g>cd<) ] ] [2 [2 BG(g>cd<) ] ] [4 [3 BG(gb>d<) ] ] [2 [2 BG(gb>d<) ] ] } #mainbass1={ l8 [3 #mb1 ] #mb2 #mb3 } #mainbass2={ l8 [3 #mb1 ] #mb2 #mb4 } #mainbass4={ l8 [3 #mb1 ] #mb2 #mb5 } #mainchord1={ l8 [3 #mc1 ] #mc2 #mc3 } #mainchord2={ l8 [3 #mc1 ] #mc2 #mc4 } #mainchord3={ l8 [3 #mc1 ] #mc2 #mc5 } #mainmelody1={ l8 Tempo 70 q95 Tempo 180 q80g2^8ce f4e4d4c8 g2^8ce f4e4d4c8g8& g1 ^2^8r8g#4 a2^8cf a4>c4dc#& c#2rc e2^8ce q95 d2^4.q80 g& g2 } #mainmelody2={ r4Sub{l28 gab>cdef l8}r4 l8 g2^8ce f4e4d4c8 g2^8ce f4e4d4c8g8& g1 ^2^4.g# a2^8cf a4>c4dc#& c#2r c#de f2^8c e2^8ce q99 d1^1 g1^4 } #mainmelody3={ r4Sub{l28 gab>cdef l8}r4 l8 g2^8ce f4e4d4c8 g2^8ce f4e4d4c8g8& g1 ^2^8rg#4 a2^8cf a4>c4dc#& c#2r c#de f2^8c e2^8ce q99 Tempo 170 d1^1 Tempo 160 g1^2 Tempo 140 g6a6b6 Tempo 180 >c1^1 } #horn1={ l8 [2 r1] g2^ce f4e4d4c g2^e-f g4fe4.c4 f2^c f#4a4g4f#e& e2.b8a8& a2^fga& a2^cf f#2^cf# g1^1^1r1 } TR(1) Time(155:4:0) Expression(127) v127 Voice(Trumpet) o6q80 #mainmelody1 o5 Voice(Strings1) v115 q85 #mainmelody2 r4 Voice(Strings1) v105 q85 o4 Sub { #mainmelody3 } o5 Sub { #mainmelody3 } o6 #mainmelody3 TR(2) Time(155:4:0) Expression(127) o4 Voice(GrandPiano) [34 r1]r4 o5 Sub { l16 [3 BF(c)BF(c)BF(d)BF(e)BF(f)BF(g)BF(a)BF(b)> BF(c)BF(d)BF(e)BF(f)BF(g)BF(a)BF(b)>BF(c) < BF(b-)BF(b-)BF(a)BF(g)BF(f)BF(e-)BF(d)BF(c)< BF(b-)BF(a)BF(g)BF(f)BF(e-)BF(d)BF(c) ] BF(e-)BF(e-)BF(f)BF(g)BF(a-)BF(b-)>BF(c)BF(d) BF(e-)BF(f)BF(g)BF(a-)BF(b-)>BF(c)BF(d)BF(e-) BF(c)BF(c)BF(c)BF(d)BF(e) BF(f)BF(g)BF(a)BF(b-)>BF(c)BF(d)BF(e)BF(f) BF(f#)BF(f#)BF(e)BF(d)BF(c)BF(c#)BF(d#) BF(e)BF(f#)BF(g)BF(a)BF(b)>BF(c#)BF(d#)BF(e) BF(c#)BF(c#)BF(c#) BF(d)BF(e)BF(f)BF(g)BF(a)BF(b)>BF(c#)BF(d) BF(c)BF(c)c.d.<'][2 'g>cd<'] [4 'g.b.>d.<'] Sub { [3 'g6b6>d6<'] } r2 [4 'g.>c.e.<'][2 'g>ce<'] [4 'f.b-.>d.<'][2 'fb->d<'] 'g2.>c2.e2.<' [3 'g12>c12e12<'] 'g4>c4e4' TR(3) Time(155:4:0) Expression(127) o5 v127 Voice(FrenchHorn) [15 r1] r2q95 r2. #horn1 TR(8) Time(155:4:0) Expression(127) @(ElectricPiano2)//6 v70 o4q40 r4 #mainchord1 #mainchord2 q40 #mainchord3 l4 [4 'g.>c.e.<'][2 'g>ce<'] [4 'f.b-.>d.<'][2 'fb->d<'] 'g2.>c2.e2.<' [3 'g12>c12e12<'] 'g4>c4e4' TR(9) Time(155:4:0) Expression(127) v127 o3 Voice(SynthBass2) r4 q60 #mainbass1 #mainbass2 #mainbass4 [2 crrgrr>cr< ] [2 rrfrrb-r ] c2.c12c12c12 c4 TR(10) Time(155:4:0) Voice(1) $k{RandR(999,1728) RandV(124,127) n(Sticks),} //37 $B{RandR(999,1728) RandV(124,127) n(Kick2),}//35 $b{RandR(999,1728) RandV(124,127) n(Kick1),}//36 $S{RandR(999,1728) RandV(120,127) n(Snare2),}//40 $s{RandR(999,1728) RandV(120,127) n(Snare1),}//38 $L{RandR(999,1728) RandV(123,127) n(LowTom2),}//41 $l{RandR(999,1728) RandV(123,127) n(LowTom1),}//43 $M{RandR(999,1728) RandV(123,127) n(MidTom2),}//45 $m{RandR(999,1728) RandV(123,127) n(MidTom1),}//47 $T{RandR(999,1728) RandV(123,127) n(HighTom2),}//48 $t{RandR(999,1728) RandV(123,127) n(HighTom1),}//50 $p{RandR(999,1728) RandV(110,127) n(PedalHiHat),}//44 $h{RandR(999,1728) RandV(115,127) n(ClosedHiHat),}//42 $o{RandR(999,1728) RandV(120,127) n(OpenHiHat),}//46 $r{RandR(999,1728) RandV( 85,100) n(RideCymbal1),}//51 $R{RandR(999,1728) RandV(120,127) n(RideBell),}//53 // Ride cup $i{RandR(999,1728) RandV( 85,95) n(MuteHighConga),}//62 $I{RandR(999,1728) RandV(120,127) n(OpenHighConga),}//63 $c{RandR(999,1728) RandV(120,127) n(CrashCymbal1),}//49 $C{RandR(999,1728) RandV(120,127) n(CrashCymbal2),}//57 $H{RandR(999,1728) RandV(120,127) n(SplashCymbal),}//55 $A{RandR(999,1728) RandV(120,127) n(ChineseCymbal),}//52 // alt cymbal $y{RandR(999,1728) RandV(120,127) n(HighBongo),}//60 $Y{RandR(999,1728) RandV(120,127) n(LowBongo),}//61 #rmain1={ Sub { Rythm { R4r8R4r8R8r8 } } Sub { Rythm { b4s8b4s8b4 } } r1 } #rmain2={ Sub { Rythm { R4r8R4r8R8r8 } } Sub { Rythm { b8T8T8m8m8M8M8l8 } } Sub { Rythm { b4s8b4s8b4 } } r1 } #rmain3={ Sub { Rythm { [4 p8o8] } } Sub { Rythm { b4s8b4b8s4 } } r1 } #rmain31={ Sub { Rythm { [4 p8o8] } } Sub { Rythm { b4s8b4b8s4 } } r1 } #rmain4={ Sub { Rythm { p8T8T8m8m8M8M8l8 } } Sub { Rythm { [4 p8o8] } } Sub { Rythm { b4s8b4b8s4 } } r1 } #rmain41={ Sub { Rythm { p8T8T8m8m8M8M8l8 } } Sub { Rythm { [4 p8o8] } } Sub { Rythm { b4s8b4b8s4 } } r1 } #rmain5={ Sub { Rythm { c4.C4.c4.C4.c4C4 } } Sub { Rythm { [16 h8 ] } } Sub { Rythm { s4.s4.s4.s4.s4s4 } } Sub { Rythm { b4.b4.b4.b4.b4b4 } } r4.r4.r4.r4.r8 Rythm { m8M8l8 } Sub { Rythm { c4.C4.c4.C4.c2 } } Sub { Rythm { [13 h8 ] } } Sub { Rythm { s4.s4.s4.s4.s2 } } Sub { Rythm { b4.b4.b4.b4.b2 } } r4.r4.r4.r4.r8 Rythm { m8M8l8 } } #rmain6={ Sub { Rythm { c4.C4.c4.C4.c4C4 } } Sub { Rythm { [16 h8 ] } } Sub { Rythm { s4.s4.s4.s4.s4s4 } } Sub { Rythm { b4.b4.b4.b4.b4b4 } } r4.r4.r4.r4.r4r4 Sub { Rythm { c4.C4.c1 } } Sub { Rythm { [7 h8 ] } } Sub { Rythm { s4.s4.s1 } } Sub { Rythm { b4.b4.b1 } } r1r1 } #rsub1={ Sub { Rythm { [4 p8o8] } } Sub { Rythm { I4i8 I4i8 I8i8 } } Sub { Rythm { b4s8b4b8s8 } } r1 } #rsub2={ Sub { Rythm { [4 p8o8] } } Sub { Rythm { I4i8 I4i8 I8i8 } } Sub { Rythm { b4s8b4b8s8 } } r4 Rythm { [4 m16] [4 M16] [4 L16] } } r4 Expression(110) Sub { Rythm{A1} } [7 #rmain3 ] #rmain4 Sub { Rythm{c1} } [7 #rmain3 ] #rmain4 Sub { Rythm{C1} } [7 #rmain3 ] #rmain4 Sub { Rythm{c1} } [6 #rmain3 ] #rmain5 Sub { Rythm{C1} } [7 #rsub1 ] #rsub2 Sub { Rythm{C1} } [5 #rsub1 ] #rsub2 #rmain5 Sub { Rythm{C1} } [2 #rsub1 ] Sub { Rythm{c1} } [2 #rsub1 ] Rythm { 'b4s4c4''b2s2C2' 'b12s12c12' 'b12s12C12' 'b12s12c12' 'b4s4C4' } End ############################################################################## # TiMidiTy Config (v2.0) dir ../patches/sf2_all dir ../patches/sf2_all/atomic dir ../patches/sf2_all/fluid3 dir ../patches/sf2_all/realgs dir ../patches/sf2_all/ultimate dir ../patches/sf2_all/scc dir ../patches/sf2_all/GMRBasico dir ../patches/sf2_all/ForClassicalMusic dir ../patches/sf2_part/drumkit dir ../patches/sf2_part/drum dir ../patches/sf2_part/piano dir ../patches/sf2_part/famicom dir ../patches/sf2_all/musix dir ../patches/sf2_all/Giant dir ../patches/sf2_part/ORCHESTRAL dir "../patches/sf2_part/Sonatina Symphonic Orchestra" ############################################################################## bank 0 # vib 11 %font "GMR Basico1.1.sf2" 0 11 amp=50 rate=245:40:40:40:40:40 tremolo=0:72:240 # brasssele 61 %font JClive21.sf2 0 61 amp=63 # string1 # 48 %font atomic.sf2 0 48 amp=110 rate=255:105:105:105:105:105 48 %font "Titanic_200_GMGS_1.2.sf2" 0 48 amp=280 keep=env rate=255:105:105:105:105:105 # Synth Strings1 -> electric piano 5 %font Piano_Yamaha_DX7.sf2 0 0 amp=100 keep=loop rate=238:120:120:120:120:120 # string2 49 %font "5.7bank2.sf2" 0 49 amp=30 pan=+10 rate=255 # trumpet # 56 %font atomic.sf2 0 56 amp=70 rate=252:150:150:150:150:150 # 56 %font "Solo Trumpet.sf2" amp=110 0 0 rate=252:150:150:150:150:150 56 %font "Titanic_200_GMGS_1.2.sf2" 4 56 amp=180 rate=252 # dr organ # 16 %font atomic.sf2 0 16 amp=70 16 %font Titanic_200_GMGS_1.2.sf2 0 16 amp=82 tremolo=0:65:210 # piccolo # 72 %font Titanic_200_GMGS_1.2.sf2 0 70 amp=75 keep=loop # 72 %font FluidR3GM.SF2 0 70 amp=100 keep=loop 72 %font JClive21.sf2 0 72 amp=50 keep=loop # flute 73 %font "GMR Basico1.1.sf2" 0 73 amp=25 keep=loop # horn 60 %font Titanic_200_GMGS_1.2.sf2 0 60 amp=75 60 %font Evanessence2.sf2 0 60 amp=75 keep=loop # bass 39 %font Titanic_200_GMGS_1.2.sf2 0 33 amp=165 keep=loop # oboe 68 %font Titanic_200_GMGS_1.2.sf2 0 68 amp=65 keep=loop tune=+12 # trombone 57 %font Evanessence2.sf2 0 57 amp=250 # contora 43 %font "GMR Basico1.1.sf2" 0 48 amp=85 pan=+10 # harp 46 %font "GMR Basico1.1.sf2" 0 46 amp=75 pan=+10 rate=245:3:3:20:20:20 # timpani 47 %font "GMR Basico1.1.sf2" 0 47 amp=150 pan=-40 tune=-12 # rate=245:3:3:20:20:20 # piano # 0 %font ClavinovaPiano1V2.0.sf2 0 0 amp=170 0 %font acoustic_grand_piano_ydp_20080910.sf2 0 0 amp=295 # new age 88 %font "GMR Basico1.1.sf2" 0 88 amp=100 keep=loop tune=-12 # synth 80 %font Famicom.sf2 0 5 amp=55 keep=loop # Ah # 52 %font Titanic_200_GMGS_1.2.sf2 0 52 amp=450 keep=loop 52 %font FluidR3GM.SF2 0 52 amp=105 keep=loop ############################################################################## # Standard drums drumset 0 # brash # 28 %font Titanic_200_GMGS_1.2.sf2 128 40 31 amp=280 tune=-1 # 28 %font drumkit1.3XG.sf2 128 40 31 amp=255 # 28 %font Evanessence2.sf2 128 40 38 amp=250 28 %font FluidR3GM.SF2 128 40 38 amp=210 # bd 35 %font FluidR3GM.SF2 128 49 35 amp=300 36 %font FluidR3GM.SF2 128 27 35 amp=150 35 %font FluidR3GM.SF2 128 49 35 amp=300 36 %font Titanic_200_GMGS_1.2.sf2 128 17 35 amp=200 35 %font "0_Yamaha9000.sf2" 128 0 33 amp=230 pan=0 tune=+0 36 %font "0_Yamaha9000.sf2" 128 0 33 amp=230 pan=0 tune=+0 # stick 31 %font Titanic_200_GMGS_1.2.sf2 128 0 31 amp=280 tune=-1 # 31 %font drumkit1.3XG.sf2 128 0 31 amp=255 31 %font "0_Yamaha9000.sf2" 128 0 57 amp=145 pan=0 tune=+0 # sd # 38 %font Titanic_200_GMGS_1.2.sf2 128 0 40 amp=160 # 40 %font Titanic_200_GMGS_1.2.sf2 128 0 40 amp=140 38 %font drumkit1.3XG.sf2 128 9 38 amp=170 tune=+5 40 %font drumkit1.3XG.sf2 128 9 40 amp=170 tune=+5 38 %font "0_Yamaha9000.sf2" 128 0 32 amp=135 pan=0 tune=+0 40 %font "0_Yamaha9000.sf2" 128 0 32 amp=135 pan=0 tune=+0 # cymbal # 49 %font Titanic_200_GMGS_1.2.sf2 128 0 49 amp=200 pan=-80 tune=+0 # 57 %font Titanic_200_GMGS_1.2.sf2 128 0 49 amp=200 pan=+80 tune=+0 # 55 %font Titanic_200_GMGS_1.2.sf2 128 0 49 amp=200 pan=0 tune=+0 49 %font "0_Yamaha9000.sf2" 128 0 38 amp=180 pan=-50 tune=+0 57 %font "0_Yamaha9000.sf2" 128 0 38 amp=180 pan=+99 tune=+0 55 %font "0_Yamaha9000.sf2" 128 0 38 amp=180 pan=30 tune=+0 # chinise -> gong 52 %font Titanic_200_GMGS_1.2.sf2 128 0 52 amp=220 pan=0 tune=-2 # 52 %font FluidR3GM.SF2 128 0 52 amp=230 pan=30 tune=+0 # 52 %font "0_Yamaha9000.sf2" 128 0 69 amp=210 pan=30 tune=+0 # alt classic cymbal 60 %font Titanic_200_GMGS_1.2.sf2 128 48 55 amp=150 pan=-25 tune=+0 61 %font Titanic_200_GMGS_1.2.sf2 128 48 55 amp=150 pan=+70 tune=+0 60 %font "0_Yamaha9000.sf2" 128 0 36 amp=115 pan=-70 tune=+2 61 %font "0_Yamaha9000.sf2" 128 0 35 amp=115 pan=60 tune=+5 # ride # 51 %font Titanic_200_GMGS_1.2.sf2 128 0 51 amp=150 pan=+70 tune=+0 # 53 %font Titanic_200_GMGS_1.2.sf2 128 0 51 amp=320 pan=+70 tune=+0 51 %font "0_Yamaha9000.sf2" 128 0 53 amp=60 53 %font "0_Yamaha9000.sf2" 128 0 53 amp=92 # ride cup # 62 %font "GMR Basico1.1.sf2" 128 0 53 amp=160 pan=+70 tune=+0 # 63 %font "GMR Basico1.1.sf2" 128 0 53 amp=360 pan=+70 tune=+0 # 53 %font drumkit1.3XG.sf2 128 0 53 amp=460 pan=+70 tune=+0 62 %font "0_Yamaha9000.sf2" 128 0 43 amp=190 63 %font "0_Yamaha9000.sf2" 128 0 43 amp=190 #hh #extension altassign 42 44 46 42 %font "Titanic_200_GMGS_1.2.sf2" 128 17 42 amp=200 pan=0 tune=+0 rate=:50:50:50:120:120 44 %font "GMR Basico1.1.sf2" 128 17 44 amp=55 pan=0 tune=+0 46 %font "GMR Basico1.1.sf2" 128 17 46 amp=60 pan=0 tune=+0 # hihat # close 42 %font "0_Yamaha9000.sf2" 128 0 50 amp=110 # pedal 44 %font "0_Yamaha9000.sf2" 128 0 45 amp=110 # open 46 %font "0_Yamaha9000.sf2" 128 0 51 amp=115 # tom 41 %font Titanic_200_GMGS_1.2.sf2 128 17 41 amp=180 tune=+0 43 %font Titanic_200_GMGS_1.2.sf2 128 17 43 amp=180 tune=+2 45 %font Titanic_200_GMGS_1.2.sf2 128 17 45 amp=180 tune=+4 47 %font Titanic_200_GMGS_1.2.sf2 128 17 47 amp=180 tune=+6 48 %font Titanic_200_GMGS_1.2.sf2 128 17 48 amp=180 tune=+8 50 %font Titanic_200_GMGS_1.2.sf2 128 17 50 amp=180 tune=+10 # 41 %font "0_Yamaha9000.sf2" 128 0 77 amp=170 tune=-2 # 43 %font "0_Yamaha9000.sf2" 128 0 77 amp=170 tune=+2 # 45 %font "0_Yamaha9000.sf2" 128 0 72 amp=170 tune=+1 # 47 %font "0_Yamaha9000.sf2" 128 0 72 amp=170 tune=+5 # 48 %font "0_Yamaha9000.sf2" 128 0 69 amp=170 tune=+5 # 50 %font "0_Yamaha9000.sf2" 128 0 69 amp=170 tune=+8 ############################################################################## # orchset drums drumset 1 # bd 36 %font Titanic_200_GMGS_1.2.sf2 128 48 35 amp=360 36 %font "Percussion - All Percussion.sf2" 128 0 36 amp=470 # sd 38 %font Titanic_200_GMGS_1.2.sf2 128 48 40 amp=370 tune=-5 # 40 %font drumkit1.3XG.sf2 128 9 40 amp=170 tune=+5 38 %font "Percussion - All Percussion.sf2" 128 0 40 amp=460 # cymbal # 49 %font Titanic_200_GMGS_1.2.sf2 128 48 55 amp=220 pan=-25 tune=+0 # 57 %font Titanic_200_GMGS_1.2.sf2 128 48 55 amp=260 pan=+70 tune=+0 49 %font "Percussion - All Percussion.sf2" 128 0 45 amp=165 57 %font "Percussion - All Percussion.sf2" 128 0 45 amp=165 bank 0 127 %font "Percussion - All Percussion.sf2" 128 0 39 amp=400